Überprüfen Sie die Übersetzungen von 'Иди и смотри' ins Deutsch. Schauen Sie sich Beispiele für Иди и смотри-Übersetzungen in Sätzen an, hören Sie sich. Смотреть сериал "Geh und sieh / Иди и смотри (Deutsche untertitel / немецкий язык субтитров)". Онлайн. Драма, Военный. Все серии. Содержание. Komm und sieh (russisch Иди́ и смотри́ / Idi i smotri), in der DDR entsprechend dem Originaltitel Geh und sieh, ist ein sowjetischer Antikriegsfilm des.
Иди И Смотри Besetzung und Crew
Weißrussland, Die Wehrmacht befindet sich auf dem Rückzug. Im Rahmen der von Hitler befohlenen `Politik der verbrannten Erde' wüten die deutschen Soldaten und ermorden systematisch vor allem Zivilisten, Männer, Frauen und Kinder. Als der. Komm und sieh (russisch Иди́ и смотри́ / Idi i smotri), in der DDR entsprechend dem Originaltitel Geh und sieh, ist ein sowjetischer Antikriegsfilm des. Komm und sieh') (Idi i smotri) (RUSCICO) (2 DVD) [Иди и смотри]. Aleksej Kravchenko (Darsteller), Anatoliy Slivnikov (Darsteller), Elem Klimov (Regisseur) & 2. "Иди и смотри" () Bildung, Verpackung, Film, Fernsehserie. Смотреть сериал "Geh und sieh / Иди и смотри (Deutsche untertitel / немецкий язык субтитров)". Онлайн. Драма, Военный. Все серии. Содержание. Überprüfen Sie die Übersetzungen von 'Иди и смотри' ins Deutsch. Schauen Sie sich Beispiele für Иди и смотри-Übersetzungen in Sätzen an, hören Sie sich. dir Trailer an, lies die Rezensionen von Kunden und Kritikern und kaufe den von Элем Климов gedrehten Film „Иди и смотри“ für CHF
dir Trailer an, lies die Rezensionen von Kunden und Kritikern und kaufe den von Элем Климов gedrehten Film „Иди и смотри“ für CHF Иди и Смотри, Moskau. Gefällt Mal. Мы проводим авторские увлекательные экскурсии по Москве с самым комфортным для слушателей набором. Komm und sieh (russisch Иди́ и смотри́ / Idi i smotri), in der DDR entsprechend dem Originaltitel Geh und sieh, ist ein sowjetischer Antikriegsfilm des.
Auch Fljoras Mutter und seine Schwestern wurden ermordet. Nach einem missglückten Versuch, für die Überlebenden etwas zu essen zu organisieren, gerät Fljora in ein weiteres Dorf, das zum Ziel einer Vergeltungsaktion für Partisanenübergriffe wird.
März an den Bewohnern des Dorfes Chatyn. Mai in die der Bundesrepublik. Nichts könnte weiter von der Wahrheit entfernt sein.
Nothing could be further from the truth. Der Regisseur des Films, Elem Klimow, beendete nach den Dreharbeiten an dem Film seine Karriere als Filmemacher mit der Begründung, mit Komm und sieh habe er filmisch alles erreicht, was er je angestrebt habe.
Namensräume Artikel Diskussion. Ansichten Lesen Bearbeiten Quelltext bearbeiten Versionsgeschichte. Hauptseite Themenportale Zufälliger Artikel.
Deutscher Titel. And then I thought: the world doesn't know about Khatyn! They know about Katyn , about the massacre of the Polish officers there.
But they don't know about Belorussia. Even though more than villages were burned there! And I decided to make a film about this tragedy.
I perfectly understood that the film would end up a harsh one. I decided that the central role of the village lad Flyora would not be played by a professional actor, who upon immersion into a difficult role could have protected himself psychologically with his accumulated acting experience, technique and skill.
I wanted to find a simple boy fourteen years of age. We had to prepare him for the most difficult experiences, then capture them on film.
And at the same time, we had to protect him from the stresses so that he wasn't left in the loony bin after filming was over, but was returned to his mother alive and healthy.
Fortunately, with Aleksey Kravchenko, who played Flyora and who later became a good actor, everything went smoothly. I understood that this would be a very brutal film and that it was unlikely that people would be able to watch it.
I told this to my screenplay coauthor, the writer Ales Adamovich. But he replied: "Let them not watch it, then. This is something we must leave after us.
As evidence of war, and as a plea for peace. Come and See was shot only on Belarusian soil. The events with the people, the peasants, actually happened as shown in the film.
Even the language spoken in the film is Belarusian. What was important was that all the events depicted in the film really did happen in Belarus.
For eight years,  filming could not begin because the State Committee for Cinematography Goskino would not accept the screenplay, considering it too realistic, calling it propaganda for the "aesthetics of dirtiness" and "naturalism".
The film was shot in chronological order over a period of nine months. I kept a most severe diet, and after the filming was over I returned to school not only thin, but grey-haired.
In fact, a special Silber Interference Grease-Paint, alongside a thin layer of actual silver, was used to dye his hair.
This made it difficult to get his hair back to normal, so Kravchenko had to live with his hair like this for some time after shooting the film.
He could have landed in an insane asylum," Mr. Klimov said. Kravchenko was able to concentrate so intensely that it seemed as if he had hypnotized himself for the role"   with some autogenic training.
To create the maximum sense of immediacy, realism , hyperrealism , and surrealism operate in equal measure.
The extreme close-ups of actors staring into camera is a recurring motif. The original soundtrack is rhythmically amorphous music composed by Oleg Yanchenko.
The German military march "Old Comrades " is played as the German army begins its attack on the village. During the scene where Glasha dances, the background music is some fragments of Mary Dixon's song from Grigori Aleksandrov 's film Circus.
At the end of the film, the partisans walk through a winter woodland to the sound of Mozart 's Lacrimosa before the camera tilts towards the sky and the ending credits appear.
There's a curious scene here in a wood, the sun falling down through the leaves, when the soundtrack, which has been grim and mournful, suddenly breaks free into Mozart.
And what does this signify? A fantasy, I believe, and not Florya's, who has probably never heard such music. The Mozart descends into the film like a deus ex machina , to lift us from its despair.
We can accept it if we want, but it changes nothing. It is like an ironic taunt. And when he had opened the fourth seal, I heard the voice of the fourth beast say, "Come and see!
And power was given unto them over the fourth part of the earth, to kill with sword, and with hunger, and with death, and with the beasts of the earth.
The film was released on 17 October ,   drawing In , the film received an official restoration overseen by Karen Shakhnazarov.
This release is currently out-of-print. The film became available on FilmStruck ,  the streaming service for the Criterion Collection from its opening on 1 November to its closing on 29 November , and from November on the new Criterion Channel service.
Initial reception was positive. Powerful material, powerfully rendered And though he draws a surprisingly vivid performance from his inexperienced teen lead, Klimov's prowess is his visual poetry, muscular and animistic, like compatriot Andrei Konchalovsky 's in his epic Siberiade.
The director has elicited an excellent performance from his central actor Kravchenko". According to Klimov, the film was so shocking for audiences, however, that ambulances were sometimes called in to take away particularly impressionable viewers, both in the Soviet Union and abroad.
I traveled through all of Poland and Belarus, finally reaching Ukraine. I will testify: everything that is told in this film is the truth. And the most frightening and shameful thing for me is that this film will be seen by my children and grandchildren".
The film has since been widely acclaimed in the 21st century. In Daneet Steffens of Entertainment Weekly wrote that "Klimov alternates the horrors of war with occasional fairy tale-like images; together they imbue the film with an unapologetically disturbing quality that persists long after the credits roll.
In , J. Hoberman of The Village Voice reviewed Come and See , writing the following: "Directed for baroque intensity, Come and See is a robust art film with aspirations to the visionary — not so much graphic as leisurely literal-minded in its representation of mass murder.
The movie has been compared both to Schindler's List and Saving Private Ryan , and it would not be surprising to learn that Steven Spielberg had screened it before making either of these.
The film's central atrocity is a barbaric circus of blaring music and barking dogs in which a squadron of drunken German soldiers round up and parade the peasants to their fiery doom The bit of actual death-camp corpse footage that Klimov uses is doubly disturbing in that it retrospectively diminishes the care with which he orchestrates the town's destruction.
For the most part, he prefers to show the Gorgon as reflected in Perseus 's shield. There are few images more indelible than the sight of young Alexei Kravchenko's fear-petrified expression.
In , Scott Tobias of The A. Club wrote that Klimov's "impressions are unforgettable: the screaming cacophony of a bombing run broken up by the faint sound of a Mozart fugue, a dark, arid field suddenly lit up by eerily beautiful orange flares, German troops appearing like ghosts out of the heavy morning fog.
A product of the glasnost era, Come and See is far from a patriotic memorial of Russia's hard-won victory. Instead, it's a chilling reminder of that victory's terrible costs.
On 16 June , Roger Ebert posted a review of Come and See as part of his "Great Movies" series, describing it as "one of the most devastating films ever about anything, and in it, the survivors must envy the dead The film depicts brutality and is occasionally very realistic, but there's an overlay of muted nightmarish exaggeration I must not describe the famous sequence at the end.
It must unfold as a surprise for you. It pretends to roll back history. You will see how. It is unutterably depressing, because history can never undo itself, and is with us forever.
Come and See appears on many lists of films considered the best. No film — not Apocalypse Now , not Full Metal Jacket — spells out the dehumanising impact of conflict more vividly, or ferociously An impressionist masterpiece and possibly the worst date movie ever.
The website's critics consensus reads, "As effectively anti-war as movies can be, Come and See is a harrowing odyssey through the worst that humanity is capable of, directed with bravura intensity by Elem Klimov.
Klimov did not make any more films after Come and See ,  leading some critics to speculate as to why. In , Klimov said, "I lost interest in making films Everything that was possible I felt I had already done.
From Wikipedia, the free encyclopedia. Russian theatrical release poster. Elem Klimov Ales Adamovich. Aleksei Kravchenko Olga Mironova. Mosfilm Belarusfilm.
Release date. Running time. British Board of Film Classification. Retrieved 29 May British Film Institute.
Retrieved 5 December Box Office Mojo. Retrieved 20 March Rotten Tomatoes. Fandango Media. Retrieved 15 August War and Film. Islington : Reaktion Books.
The Kings and the Pawns. New York City: Berghahn Books. The stories of survivors from the burned villages were collected in the s by three Byelorussian writers, Ales' Adamovich, Janka Bryl' , and Vladimir Kolesnik and published as a book in Russian and Byelorussian under the title Ya iz ognennoj derevni See Adamovich et al.
Minsk , p. Retrieved 30 August The Calvert Journal. Retrieved 20 July Russian War Films. On the Cinema Front, Lawrence, Kansas : University Press of Kansas.
Russia Beyond. Retrieved 7 July The Criterion Collection. Retrieved 11 November